In 1979 director Don Bluth famously led an animators walk out at the Disney Studios to form his own company Don Bluth Productions. Their first feature length venture The Secret of NIMH (Bluth, 1982) while critically well received was a commercial disappointment and it wasn’t until after Bluth released the groundbreaking coin operated video game Dragon’s Lair that Hollywood once again came calling. The Land Before Time was to be Bluth’s third feature and his second, following An American Tale (1986) for Steven Spielberg’s Amblin Entertainment, co-produced by Lucasfilm.
This surprisingly downbeat dinosaur adventure is something of a prehistoric Bambi meets The Incredible Journey as longneck Littlefoot, after the death of his mother and separation from his grandparents, teams up with a band of similarly lost young dinos to find their families in the fabled Great Valley.
This surprisingly downbeat dinosaur adventure is something of a prehistoric Bambi meets The Incredible Journey as longneck Littlefoot, after the death of his mother and separation from his grandparents, teams up with a band of similarly lost young dinos to find their families in the fabled Great Valley.
Just as An American Tail was pitted against Disney’s The Great Mouse Detective on original release, The Land Before Time found itself competing against Disney’s Oliver and Company in late ‘88. Unlike on the previous meeting, Disney’s movie was box office champ. However, I would argue that, on this occasion, Bluth’s movie is superior.
Unlike the numerous made for video sequels, the original Land Before Time features some beautiful animation, and while its plot is quite basic and occasionally saccharine, it is sophisticated enough to engage adults as well as children.
At little over an hour The Land Before Time is short and sweet. Stick around for the end titles for Diana Ross’ lovely ballad ‘If We Hold On Together’.
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