Winnie the Pooh: Springtime with Roo (Dir: Saul Blinkoff & Elliot M Bour, 2004).
A A Milne meets Charles Dickens in a weird hybrid from a time when Disney’s Pooh franchise had seemingly lost both direction and appeal. At least for anyone above pre-school age. Yes, this is Dickens’ A Christmas Carol re-told for Easter with, despite Roo’s billing, Rabbit as an Easter banning Scrooge.
Walt Disney first filmed Pooh in the animated featurette Winnie the Pooh and the Honey Tree (Wolfgang Reitherman, 1966). Two more featurettes followed and were combined in the movie length compilation The Many Adventures of Winnie the Pooh (Reitherman & John Lounsbery, 1977). While some bemoaned the Americanization of Pooh and the replacing of Pooh’s hums with songs by Mary Poppins’ tunesmiths Richard and Robert Sherman, the original shorts were praised for their charming, whimsical nature, delicate storybook-esq animation and general faithfulness to Milne’s text. The New Adventures of Winnie the Pooh, an animated TV series not directly based on Milne, debuted in 1988. While a success, The New Adventures... marked a distinct change of tone for Pooh. Gone is the innocent charm of the featurettes and of Milne’s tales upon which they were based. Insecurity and doubt have crept into The Hundred Acre Wood. This is a new neurotic Pooh for the modern age. Sadly this mood continued through a series of theatrical and straight-to-video features, most notably the dark and downbeat Pooh’s Grand Adventure (Karl Geurs, 1997). Most of the latter Pooh movies are surprisingly melancholic as is this feature in which, after cancelling Easter, Rabbit is shown, via some heavy handed moralising, the negative impact his actions have on his friends.
At 65 minutes Springtime with Roo is mercifully short. The animation by DisneyToon Studios, while not up to the standard of the theatrical product, is bright and colourful but on the whole this movie is a rather joyless affair. Those wishing to indulge in Pooh would be best advised seeking out The Many Adventures of Winnie the Pooh or, better still, reading A A Milne’s original literary classics ‘Winnie the Pooh’ and ‘The House at Pooh Corner’.
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