Monday, December 30, 2019

Klaus (2019)

Klaus (Dir: Sergio Pablos, 2019)


Just when you think you have seen all the Santa origin stories you care to, along comes Klaus. Netflix’s first original animated feature film, Klaus made its debut on the streaming service in November 2019; an early gift for the festive season. Produced by Sergio Pablos Animation Studios, it is the directorial debut of studio head Pablos, the co-creator of Universal's highly lucrative Despicable Me franchise.

Incompetent postman Jesper (Jason Schwartzman) is sent by his Postmaster General father to establish a post office in the remote northern isle of Smeerensburg. On arrival he finds a divided community, engaged in a bitter feud, who barely speak to each other, let alone send mail. Determined to succeed he seeks out each town member to extol the virtues of the postal service, including Klaus (J K Simmons), a mysterious, solitary figure with a workshop full of toys. The pair team up to distribute the toys to the unhappy Smeerensburg children, creating some new Christmas traditions along the way.

Klaus is as warm and heartfelt as you would expect a Christmas movie to be. Sure, it is sentimental, but never slushy and with genuine pathos in Klaus' backstory. Its distinctive visual style and expressionistic use of colour help make it one of the most visually pleasing animated features in recent years; the 2D animation combines the slickness that audiences would expect of a modern animated feature with a cartoony style reminiscent of the Mid Century Modern stylings of the UPA animation studios. 

While Klaus does cover some similar ground to the Rankin/Bass TV favourite Santa Claus Is Comin’ to Town (Arthur Rankin Jr & Jules Bass, 1970), in all other respects it is easily the most imaginative take on St Nick's early years for sometime. 

In a year where cinema release schedules have been dominated by animated sequels, first time director Sergio Pablos has crafted a movie which feels fresh and original, yet reassuringly tradition. It is arguably the most satisfying Christmas movie of the decade and seems destined to become a holiday classic. 


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