Sunday, February 9, 2020

The Holly and the Ivy (1952)

The Holly and the Ivy (Dir: George More O'Ferrall, 1952).





It has now been a few weeks since I watched this movie and I appear to have misplaced my notes. So, please forgive me for a review which is even lighter on insight and heavier on vague observances than usual!

Based on a play by Wynyard Browne, The Holly and the Ivy relates the story of a Christmas family reunion of the Gregory family, the patriarch of which is a seemingly stuck in his ways, traditionalist village pastor (Ralph Richardson); resented by his grown up family, who feel he has neglected them in favour of his parishioners. Tensions rise and family secrets are revealed before the expected reconciliation on Christmas morning. 

A Christmas movie that previously flew under the radar, the reputation of The Holly and the Ivy seems to have grown in recent years. With its scintillating scandals and family feuds it is little more than the stuff of soap opera, but it is high class soap opera at that. Director George More O'Ferrall handles the potentially melodramatic subject in a low-key, restrained fashion, eliciting natural, believable performances from his cast. 

At age 50, Ralph Richardson is a little too young to fully convince as the aged Reverend Gregory. It is an otherwise great performance, but the role would undoubtedly have benefited from the casting of an actor of more maturity. As his daughters, Celia Johnson and Margaret Leighton are the real standouts. Both convey their individual personal trauma with empathy and sensitivity. In an early appearance for the actor, the great Denholm Elliott also impresses as the alcohol dependent son.

The Holly and the Ivy offers little that hasn't been seen in countless other family dramas; its situations the now familiar tropes of  formulaic 'Movie of the Week' features. Yet it is told with a sensitivity generally missing from such made for TV movies. It boasts a superior cast and strong direction from O'Ferrall. It also benefits from a warm nostalgia that tempers the sensationalist aspects of the story. While perhaps not quite a top drawer festive feature, it is a minor Christmas classic nonetheless.



No comments:

Post a Comment