Friday, March 6, 2020

The Alphabet Murders (1965)

The Alphabet Murders (Dir: Frank Tashlin, 1965). 



A comedy thriller based upon Agatha Christie’s 1936 novel The ABC Murders in which Belgian's finest, Detective Hercule Poirot (Tony Randall), investigates a series of murders, each victim being bumped off in alphabetical order. Chief suspect is the dubiously initialed Amanda Beatrice Cross (Anita Ekberg). 

The Alphabet Murders was an attempt by MGM to repeat the success of their series of comic mysteries adapted from Christie’s Miss Marple stories. Returning are Marple scriptwriters David Pursall and Jack Seddon, while directing duties are handled by former Warner Brothers animator Frank Tashlin. Tashlin brings his Termite Terrace cartoon sensibilities to the movie, setting out its kooky objectives from the opening, when Tony Randall addresses the camera first as himself and then in makeup as Poirot. With Tashlin's knack for visual humour, and some striking black and white photography courtesy of cinematographer Desmond Dickinson, the film is a visual treat. 

Unfortunately, the quality doesn't extend to story treatment. As an Agatha Christie adaptation The Alphabet Murders is pretty unsatisfying. What it is, however, is a showcase for the considerable talents of Tony Randall. Randall’s is a fantastic performance, over the top and pantomimic to be sure, but his Poirot is a great comic creation. An excellent support cast including Anita Ekberg and Robert Morley (as Captain Hastings) also register strong performances. 

Yet, despite the efforts of much of the Miss Marple team, and a cameo appearance by those movies stars Margaret Rutherford and Stringer Davis, The Alphabet Murders was not a success. Somehow the elements that worked so well for Marple just don’t gel for Poirot. Possibly the character was not as well suited to comedic interpretation or maybe the overtly American sensibilities of director Tashlin was not suited to something moored so much in Britishness.

The film largely divided critics and audiences between those who lamented its adaptation and those who praised Randall’s performance. Both camps are correct. While The Alphabet Murders must be considered a disappointment, it is certainly not a disaster. In truth there is much in the movie to enjoy, all depending on how one approaches it.  


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